The interiors quarterly filed from London crosses Tokyo, São Paulo, Copenhagen, and Addis Ababa in 200 pages.
May 28. Scenery issue 5 lands at retail this week. Two hundred pages, four continents, no recurring structure. The quarterly covers interiors the way a good travel magazine used to: photographer on the ground, no recurring rubric, no design-speak.
This issue opens in Tokyo with Jasper Conran's flat. The photographer is Simon B. Mørch. The spread runs twelve pages and every shot is a still life: shelf arrangement, book spine stack, a single chair against a white wall. The text is short. Conran's place reads like a set piece, which makes sense given he's spent forty years directing shows. The next feature is Aiden Miller's studio in São Paulo, shot by a different photographer with a different cadence. Miller works in concrete and the studio is concrete. The piece ends on a quote about material temperature. It's the kind of detail that doesn't land in the design press because it's too specific to sound general.
The middle third is Copenhagen and Addis Ababa. A bookshop, a restaurant, a ceramicist's workshop, a collector's apartment. Each piece is short, under 1,500 words, and the photography does most of the editorial work. The magazine doesn't announce a theme. The reader assembles it: these are rooms where people work alone or in pairs, and the design decisions are functional first, decorative second.
Scenery is one of the titles driving the independent-print spike. Niche and luxury magazines now account for 35 percent of print circulation, up from 8 percent in 2011, according to a report cited by Dazed. The model works because the reader knows what they're getting: no advertorial, no trends section, no "five ways to style your desk." Just rooms, shot well, with enough text to ground the image.
Issue 5 is the cleanest of the five so far. The trim is smaller than issues 1 through 4, the spine is exposed binding, and the cover stock is uncoated. It reads like a book someone keeps on a shelf and pulls down when they want to look at rooms for twenty minutes. That's the pitch. It works.
The London studio behind the Olympic torch and Tip Ton chair splits into two solo practices. Filed from Tokyo, May 20.
dispatchGiles Deacon designed the bottle. The scent ships only from one counter in London. Department stores still need fragrance. Fragrance no longer needs most of them.
dispatch / chanelImran Amed and Luca Solca filed their quarterly check-in on luxury. The takeaway: nobody's planning past ninety days anymore.