The pop star's latest release skips the CGI playbook for a handmade set. Director Petra Collins and production designer Alex Delgado explain the build.
May 29. The video for Olivia Rodrigo's 'The Cure' dropped this week with a hospital interior built entirely by hand. Paper, cardboard, foam core, hot glue. No digital post-work, no green screen. Director Petra Collins and production designer Alex Delgado spent three weeks constructing the set in a Los Angeles warehouse.
Delgado's team hand-cut every element. Hospital beds from cardboard tubes and painted foam. IV stands from wire and tissue paper. Wall tiles from construction paper, each one individually adhered. The floor pattern is shelf liner, laid in sections. Collins wanted the texture visible on camera. Close-ups show the glue seams, the paper grain, the slight warp in the foam.
The set took 18 days to complete. Crew size: eleven. Budget unconfirmed, but Collins told Wallpaper the production leaned craft-supply runs over vendor orders. "We bought out three Michael's locations," she said.
This is the opposite move from the hyperreal-CGI direction most pop videos have taken in the past five years. No motion capture, no Unreal Engine, no particle effects. The video reads as tactile because it is tactile. The camera work is static, wide shots that let the set breathe. No fast cuts to hide the handmade seams.
The aesthetic recalls early Michel Gondry, early Spike Jonze. Stop-motion sensibility applied to live action. Rodrigo herself described the video as "arts and crafts on a massive scale," which undersells the precision but lands the tone.
The set was dismantled after the two-day shoot. No plans to preserve it. Collins posted behind-the-scenes stills to her studio's Instagram, then moved on. The video itself is the only record of the hospital that took three weeks to build and two days to use.
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