The two artists collaborated on a permanent work for the Obama Presidential Center. It unveils in June.
June. The Obama Presidential Center in Chicago gets a 42-foot textile and mixed-media installation by Nick Cave and Marie Watt. The piece, permanent and monumental, marks the first time the two have worked together.
Cave, known for his Soundsuits, and Watt, known for large-scale works built from reclaimed blankets, were commissioned to create something site-specific. The result pulls from both their vocabularies: layered textiles, community collaboration, and material as memory. Watt's practice leans on inherited blankets and collective sewing sessions. Cave's leans on found objects and bodily form. The Chicago piece finds the overlap.
The commission sat in process for over a year. Both artists worked with Chicago-based community groups to source materials and labor. Blankets came from local donation drives. Stitching happened in group sessions held at South Side community centers. The final work is credited to both artists but built by dozens of hands.
The scale is the quiet part. 42 feet tall, installed in the Center's main atrium, visible from three floors. Not a gallery piece. A public monument that reads as textile, not bronze. The materials tell the story before the wall text does.
Before the June unveiling, Cave and Watt sat for an interview with Cultured. They talked about mothers, migration, and the difference between collaboration and compromise. Watt said she thinks of blankets as timekeepers. Cave said he thinks of fabric as skin. The piece they made together holds both reads.
The Obama Center opens to the public in phases. This commission is part of the first wave. By summer, anyone walking through the atrium will stand under 42 feet of stitched history.
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