First time the designer's own collection surfaces publicly. Barbie dolls, Hermès bags, and pieces never shown.
June 6. Maurice Auction in Paris opens bidding on 140 lots from Martin Margiela's personal archive. First time any of it has left his hands.
The sale spans 1988 to 2009, Margiela's run at the house. Objects pulled from his Paris studio and his Belgian home. Not retail pieces. Not samples archived by the maison. His own wardrobe, his own collections, his own Barbie dolls dressed in prototype garments the size of a thumb.
Salomé Pirson at Maurice Auction and Alex Baddeley at Kerry Taylor Auctions organized the sale. Pirson called the collection "the holy relics of fashion" in an interview with Wallpaper*. The phrase fits. Margiela walked away from the industry in 2009 and hasn't spoken publicly since. No interviews, no retrospectives, no Instagram account. The archive is the only trail.
Handbags from his Hermès years, 1997 to 2003. Custom pieces he made for himself. A jacket with the sleeves removed and reattached backward. A dress constructed from a vintage scarf. The Barbie wardrobe, a side project he worked on for years, each garment a 1:6 scale translation of a main-line piece.
The estimate range runs €200 to €15,000 per lot. The Hermès bags will clear the top end. The Barbies might surprise.
Margiela built a career on anonymity. The house showed without him present. Press photos cropped his face. The brand's identity was a blank white label with four stitches at the corner, sometimes left intentionally loose. Selling the archive contradicts none of that. He's still not speaking. The objects are.
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