A six-story residential building in Arizona, clad in pressed metal panels, picks up the palette of midcentury desert modernism without leaning into it.
Via Dezeen
Filed from Tokyo, May 15. Johnston Marklee, the Los Angeles studio, finished Ray Phoenix this month. A six-story apartment building in Arizona, wrapped in a mint green metal facade. The color reads as a reference to midcentury desert modernism without committing to full pastiche.
The building sits in Phoenix proper. Johnston Marklee partnered with Lamar Johnson Collaborative on the design. The facade is pressed metal panels, ribbed vertically. The mint shade is intentional but not loud. It sits somewhere between hospital green and the kind of color you'd see on a 1950s Frigidaire.
The metal panels run floor to ceiling, broken only by window openings that sit flush with the plane. No balconies, no setbacks. The grid is strict. The building reads as a single volume from the street. The mint color softens what could have been a hard box.
Inside, the units are standard residential fare. The facade is doing most of the work here. The green reads as a choice about context rather than novelty. Phoenix has a long history of pale pastels on commercial and residential buildings from the 1940s through the 1960s. This picks up that thread without reproducing it.
The piece works because it doesn't reach. A mint green box in the desert could easily tip into Instagram bait. This one stays just dry enough. The metal is practical, the color is a nod to local precedent, and the building doesn't announce itself as anything more than a well-built apartment block.
Ray Phoenix is the kind of project that gets filed and forgotten in most architecture coverage. Here, it earns attention because the restraint is the story. A color choice that could have been a stunt stays a detail.
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