The London studio folded paper lighting from single sheets and hung them in St Bartholomew the Great for Design Week.
May 20. Three pendant lights, each folded from an eight-meter sheet, now hang in the nave of St Bartholomew the Great in Clerkenwell. Fung+Bedford installed the pieces for London's Design Week, running through May 25.
The studio calls the series Resonance. Each pendant twists from a single continuous fold. No seams, no joints. The paper catches light at different angles depending on where you stand in the nave. The church dates to 1123. The contrast works.
Fung+Bedford has been folding paper lighting since 2018. This is the largest scale they've attempted. The eight-meter length means the fold sequence has to account for structural load over distance. A shorter piece can flex. A longer one has to hold its own weight without sagging at the center. They solved it by varying the crease density along the length.
The installation runs daily, 11:00 to 18:00, through the weekend. Free entry. The church sits on Cloth Fair, a three-minute walk from Barbican station. Worth the stop if you're nearby.
Origami lighting has had a moment the past five years. Most of it reads decorative. Fung+Bedford's version feels structural, closer to an engineering problem than a craft exercise. The twist pattern recalls Issey Miyake's pleating work from the '90s, scaled to architecture. Same principle: fold controls form.
The piece comes down Sunday night. No word yet on whether it tours or stays archived. The studio's site lists commissions but no retail line. This reads like a one-off.
A tapware line inspired by perfume bottles, an extractor fan with physical dials, and eight other pieces that landed on the design wire this week.
dispatchThe studio drops a rear addition low enough to open three sides to the garden without blocking the terrace above.
dispatchSight Unseen rounds up the week's design drops, from studio pottery to a reality-TV furniture crash course.