●
◆ FilingTX · LINE 87
Three design moments from the week: a new space in Denmark, Ellison Studios in Australia, and houseplants as furniture.
March 19. Three things moved.
A gallery opened in Copenhagen. Atelier Olsson, named for its founder, designer Maja Olsson. The space sits in Nørrebro, street-level, white walls, twelve meters deep. First show: ceramics from six Scandinavian makers, all working in stoneware. Pieces priced €180 to €1,400. The opening had forty people. The gallery plans four shows a year.
Ellison Studios set up a temporary showroom in Melbourne. The Australian furniture brand, known for solid-walnut tables and benches, took over a Collingwood warehouse for three weeks. Walk-ins only, no bookings. Eight pieces on display, including a new low chair in oak and linen. The piece retails at AUD $2,800. The pop-up closes April 7.
Someone proposed planting a garden in a living room. Not houseplants on shelves. A literal planting bed: soil, irrigation, seasonal rotation. The idea came from a Dutch landscape architect, featured in a design blog essay. The argument: interior greenery should function like outdoor greenery, not as decoration. No word on who will try it first.
The gallery is the cleanest of the three. A new space, a named founder, a specific program. The pop-up reads as a retail test in a city where Ellison's distribution is thin. The garden idea is a thought experiment until someone builds one.
All three fit the week's pattern: small moves, specific cities, no fanfare. The kind of openings and closures that only matter if you're already watching.
Lost Hide at Abbotsford Convent runs through Design Week with chairs, lamps, and a swing made from offcuts nobody wanted.
dispatchPlus: a living-room garden question that doesn't need answering, and a furniture maker who's been at it since 1997.
dispatch / fornasettiThe Italian furniture and object house unveiled a renovated Via Manzoni space during Design Week, built to shift with time and touch.