Art BILLYCLARK and _POLIMENO turn a residential interior into a ten-day show, May 11–23, continuing a thread from Art Basel Paris.
May 11. A Chelsea loft opened as an exhibition space for ten days, closing May 23. Art BILLYCLARK and Paris-based art advisory POLIMENO mounted 26TH AND 10TH, a follow-up to POLIMENO's Room with a View presentation at Art Basel Paris earlier this year.
The premise: a residential interior treated as exhibition architecture. The loft sits at the intersection the name suggests, address as title. The work on view expands the Basel thread without repeating it. _POLIMENO's Art Basel booth framed domestic space as viewing context; this reverses the equation, using a lived-in loft as the primary container.
The show ran through the weekend. No ticketing, no press preview flagged in advance. Walk-ins only, by appointment through the advisory's site. The roster and installation photos haven't been published yet, which means the piece is being filed on structure and premise rather than on individual works. That's the sharper angle here: the decision to stage a show in a functioning apartment rather than a white-box rental.
Chelsea gallery spaces rent by the week at rates that price out most experimental formats. A loft show cuts that overhead and changes the viewing register. Visitors enter a home, not a commercial space. The work sits against bookshelves, near a kitchen counter, under residential lighting. It's a format that only works if the art advisory has access to the space in the first place, which _POLIMENO clearly does.
The ten-day window suggests this isn't a pop-up trying to look permanent. It's a real constraint: the loft goes back to being a loft on May 24. That changes how a viewer reads the installation. Temporary doesn't mean provisional here. It means the format is the point.
Art BILLYCLARK and _POLIMENO stage 26TH AND 10TH inside a residential space, May 11–23.
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